Saturday, July 31, 2010
Tyneside Sheringham
Saturday, July 17, 2010
Woodlands Bodham Nr Holt
As I suspected the previous week, a compromise with Ray was not possible, so he decided to leave the band amicably. Nige secured the services of Mike (Marty from the Peppermint Men’s elder brother) as a dep for this gig – the 7th drummer we had played with since Dave passed away! Good journey over in pleasant warm conditions and I arrived at the gig in good time to find the club already open. I had just managed to use the facilities when Nige arrived and we just got the first bits of gear in when Mike arrived at the front of the club. So we directed him round the back and carried on loading in and setting up. I had a bit of trouble with nasty feedback as I was setting up the mic and Nige gave me a hand to sort it out. It turned out to be the mic gain on the harmoniser set a bit high (the knob must have moved in previous pack up). Not so high as to bring in the red led and distort; but high enough to boost feedbacky mids. We did a sound check with “Flingel Bunt” and all was well. The club room is not that big and Mike fitted in very well to our club balance – if anything Nige and I were a bit loud so we took our volumes down a tad before showtime. We got changed into our white’n’blacks and opened up with “Foot Tapper” to about 20 in at the start – more over 50’s than our previous appearance there. Good response! After “Just One Look” I made a successful intro based on Sunday night tele theme tunes by linking “Heart Beat to Somebody Help Me” (The Royal). Nige was managing the rhythm section (Mike) and I was running the show and the audience soon warmed to our laid back bantery style as we ploughed though a selection of 50’s, 60’s and 70’s material. Mike got it right most of the time and even stayed with us through the “Beatles Medley” We finished off with “My Girl” as a change ballad and this worked well; I am a bit more familiar with the solo now and the harmonised ‘aahs’ filled out the bridge. After the break we opened up set 2 with “Flingel Bunt and The Searchers” Mike has that knack of playing a dancey rhythm to 60’s stuff and we soon had a few up and dancing, so we continued with “Do It Again”. “How Long” went very well with Mike picking up a 16’s beat that fitted really well. I gave “Lying Eyes” an airing, filling out the chorus with the harmoniser. Next up I did an cameo start to “All Shook Up” by shaking violently and telling the boys in the band I was practising the Watusi! Actually the song went well filling the dance floor and good audience answer backs on the ‘all shook ups’. It was a warm night so we rested the dancers and took the audience thru a bantery -singalonga sequence of “Halfway, Wonder of You, Sweet Caroline”. This caught the mood very well and the ladies came up to dance en mass to “Sweet Caroline” as well! Nige took us on through “Lets Dance – Mony Mony – Amarillo – Hey Baby (with corrected middle 8) – The Twist” and we wrapped the set up with “Words” A very good set for the band that was well appreciated by the audience which had now grown to about 40 in a 70% full room. We came on for a final 55 minute set to open up with some Sir Cliff with: “Move It and into Do You Wanna Dance” This filled the dance floor from the off and we kept going through a fairly continuous dancey sequence for most of the set. We wrapped up with “Wonderful Tonight” and encored with Johnny B Goode to a great response. It had been a very good night for the band. Mike had fitted in really well as a dep and the governor was well impressed. It turned out the usual manager (Robin) was on holiday, but the couple in charge said they were very impressed with the band and hoped we‘d be back! Meanwhile Nige got a text from someone at Sheringham Social to say the “Peppermint Men” playing there were good but not as good as us – Nige said he’d keep that one to show Marty! It was Mike’s first full gig in many years and he was staying nearbye so he got off as Nige and I loaded up the last few things. We cadged a welcome slice of pizza from the governor and then hit the road. Nige was first away and I got stuck in a little flurry of traffic but I caught up with Nige near Fakenham and followed him through to Swaffham. The final leg home was quiet and I made good time getting in abour 2:20am Suffering a bit of viral tiredness the next day!
Saturday, July 10, 2010
Sheringham Social Club
Sunny and hot again. Ms J offered to accompany me on this one. We got away a bit late but had a very good run, so we were at the club at about 6:45pm to meet up with Nige and Ray. I set up the harmoniser and talked to Nige about parts in “Nowhere Man”. It turns out we both thought each other was singing Mick’s part. So we agreed I would drop from the high line to sing Mick’s old lead line. Not being that familiar with the lead line and, as there was no one in the club and also to set the harmoniser, I casually tried it out a few times. The voice was still a bit tight after the previous night but I soon got the gist of the line. Apparently Ray wasn’t that impressed but I think he missed the points that a) we were addressing his criticism of the previous night by dropping my line and letting the harmoniser do the high line b) you are bound to be a bit tight before you warm up and c) the hot and humid conditions do leave your vocal chords a bit dry. People started to arrive after 8pm and by showtime at 8:45 the room was about quarter full. We got off to a good start with a typical set 1 repertoire and it was well received by ‘our kind of audience’. The on stage sound was fine, the bantering was working well (Ms J reported later that people were listening and were amused by the band repartee), and the continuity was good. We kept close to time finishing the set at 9:30 with “Ferry” and a bigger audience than when we started = about 70% full. Nige knew quite a few people including a lady he hadn’t seen for decades. After a short break we came back on for the second set. Again continuity and banter and audience response was good and we started to see a few dancers on the sloweys. We stopped at 10:30pm for the raffle - but it turned out to be not on! Nige worked the crowd well in the break and we resumed at about 10:55pm for the third set. This was a lot more dancey and we picked and mixed our way through with good continuity to keep the dance floor full. Nige took on “Unchained” and it filled the floor and then we cruised into the finish with “Hippy Hippy Shake” and closed with “Wonderful Tonight”. Following some shouts for more we encored with “Johnny B Goode” It was 11:45pm and this got a rousing response with lots of shouts for more. Nige and I were about to oblige when Ray left the stage, so we had to mumble an apology and switch off. Nige and I were not happy about this. It’s not just the ‘glory’ of being appreciated, but some of these clubs like the band to respond to cement a ‘good night out’ atmosphere. We accept that there are some venues that don’t like you to carry on; but this isn’t one of them! So that was a bit of a downer on an otherwise excellent night. In fact as we worked the crowd and packed up, several people commented on how good the band had been. Nige undertook to discuss the encore issue with Ray and once loaded we all parted amicably enough. We had a good run home getting in about 2:30am. I was not as tired as the previous night, but a little disillusioned with the encore issue nevertheless. Despite our band values of mutual respect and tolerance, I sense there won’t be an easy compromise.
Friday, July 9, 2010
Seacroft - East Runton
Had a tough week at work, but the weather was sunny and warm and I set off in reasonable spirits allowing 2 hours for the Friday night run. I made the right decision to take the Swaffham route ‘cos I heard on the radio that the A140 was closed by a serious crash near Alby and ‘A shed load of offal had closed the Thickthorn roundabout!’ With the temperature over 30 degrees you can imagine the whiff. Although it was a slow run I was well on time at the gig arriving at 6:20pm; I had all my gear in by the time Nige and Ray arrived. Set up went well, but to reduce complexity so I could give more attention to audience interaction, I elected not to use the harmoniser on this gig. While it was quiet Nige and I took the opportunity to check arrangements on “Lets Have a Party” and “My Girl”. We had a welcome cold beer and changed into the white shirts and took to the stage at 8:15pm opening with “Foot Tapper”. We had set volumes down a bit but the on-stage sound was plenty loud enough. The room was pretty full and we got a really good round of applause as we finished it so I think the sound and balance out in the room was spot on. We took a bit of time over the intro and we got a good reception from this attentive audience. So we carried on with the usual bantery type show. Lots of applause, some good ad libs and the band going down really well. I tried out “All Shook Up” to some success – we did a funny intro based on me shaking which I called practicing the Watusi and we got good audience response on the “All Shook Ups”. Ray did his millionaire joke to some appreciation and then we rattled out “Living Doll and Apache” to which I did a demo of the Shads walk! This got a great response and so did the Beatles wigging up following. Despite a slight sea breeze, the humid hot conditions caused a couple of problems; Nige and I both had trouble with constricted throats which made singing tricky at times and my guitar needed a lot of attention to keep in tune. I’m sure it was fiddling with guitar tuning that caused me to lose track of the time and we ended up doing an hour rather than the 45 minutes planned. We finished off with a good “Ferry Cross the Mersey” in which I called for an extension ‘cos I thought we were slightly short of the 45 minutes (when we were actually slightly short of the hour!). Nige and I tried pints of water in the break to loosen up voices and we went back on to open set 2 with “How Long” by Ace. Apart from voices still a bit stiff this went well and got a good round of applause. We carried on with the Searchers, which I got Nige and myself wigged up for as a joke. Unfortunately this distracted me form setting the guitar so I was caught short on the start! With it being hot we hadn’t expected any dancing, but some ladies came up to dance to the Searchers so we concentrated on more dancey stuff for a while – “Do You Wanna Dance, Do It Again, Crazy Little Thing, Beautiful Sunday, Moon of Love, Hi Ho, and Lets Dance - Mony Mony.. I got in muddle with Beautiful Sunday ‘cos Nige picked key of C and threw in a solo – so I need to brush up on that. In fact I think we are better to run them as a permanent glued together 70’s medley with shortish versions of: Moon of Love, Beaut Sunday, Yellow River. The dancers looked bit hot after that so I slowed it down for “Halfway and Sweet Caroline then we rounded off with “Hippy Hippy Shake”. Set 3 would only be about 25 minutes ‘cos I’d run over time earlier. We opened up with “Dance the Night Away” followed by “Flingel Bunt” where I took a trip out front again. There were a few up and dancing so we kept it going with: “Amarillo, Hey Baby, Twist Again” and filled the dance floor. I took us into the closing sequence with “Johnny B Goode” (we must tidy up the solos in that) and then Nige did a great “Walk Alone” to finish at bang on 11pm. The audience gave us a rousing reception and several came up at the end to say how much they had enjoyed it. One chap said he was a Shadows fan and he was really impressed by our versions which sounded just great and really full without a rhythm guitar – nice to hear that! So, despite our own reservations on quality, we had got the ‘holy grail’ band outcome here: with an attentive audience who we entertained successfully and who filled the dance floor. We were packed, loaded and on the road by just before midnight and I was home for 1:30am tired and strangely a bit out of sorts?
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