Saturday, July 26, 2014

ReTrio at The Railway Club Bury St Edmunds

Sunny, hot and humid - just how I like it!  Jacqui decided to give it a miss so at 5:50pm I set off on my own for the 10 minute drive into town.  The chaps were already unloading as I arrived and parked up.  I walked in with a guitar and they were inspecting the stage to see how to enlarge it to get mic stands on.  It is a kind of boxy stage wider than some (think Caister Social) but not quite enough room to get the stands on at the front.  We played around with ideas as we brought the gear in and eventually Chris the bass moved a piece of stage extension over to accommodate his stand.  It was on wheels so he'd have to take care.  On my side I put the stand on the floor and extended it so it would reach.  It was a bit shakey on full extension but it was workable.  We decided to site Bose on Chris's side 'inside'  the bass amp to give it a clearer sound flow down the middle of the hall - it would also have the advantage of giving both the Chris's stronger monitoring.  The rest of set up was uneventful  but I did leave the Bose on 40%+ analogue input volume. 
 
 

 
 
During the week, to right the wrongs of the previous gig,  I had taped certain knobs on the harmoniser and vocal FX into a fixed position and I also restored the mixer to its original state when I last set it up back in May.   With all this change,  it took me a few minutes to get the mics and FX levels sounding OK.  Oddly enough Chris the bass's cheap SM58 copy sounded good from the off;  it was mine and Chris the drum's mics that I had trouble balancing a good sound against toppy feedback.  On my Audix the problem was also getting more low end into the sound and I had to mess with "deep tweak" on the mixer's complex EQ which has 2 shelving and 3 parametric adjustments = easy to make it worse.  In the end I settled for bit more push in the lo-mid frequency.  It was the boxy nature of the stage that was restricting volume with toppy feedback.  You could hear the feedback suppressors kicking in to kill it but,  as it wasn't too noticeable out front,  I settled for a workable level.  The club was relatively quiet so I asked the boys up for a sound check with "Sugar and Spice"  It took a couple of goes to get the harmoniser balance about right and then we ran through it.  It worked pretty well so I said it would be in the show later to kick off the Searcher's medley.  As we got off stage it was still 28C and we disappeared a couple of beers in double quick time. I put our muzak on the create some atmos.  By 8pm we had a good turn out from the Chris's family and friends and with more 'local's arriving all the seats were taken as we set off to get changed in the little kitchen at the back.  We put on our 'club' outfit of black shirts,  white ties,  black trousers with white belts and strode out to do our bit. 

The start of set one was fairly standard and we got good applause and banter response from the first number "FBI".  After "Groovy Kind of Love",  I introduced Chris the bass and asked the audience if they wanted to hear him sing - "Yeess" they roared and off we went into "Act Naturally".  He hadn't sang in bands 'til I got him started a few months ago and he is still finding his voice;  but on this night, I thought he sang it best he has done so far and he got a lot of appreciation from friends and family.  As did Chris the drum when we followed with "Ring of Fire". Blame it on the heat,  but I lost my way with this towards the end as I led the chaps into doing three choruses to the finish rather than the usual two!  Audience didn't notice and he got a good response.  Chris then introduced me as a former member of the "Checkmates".  I said 'they're too young to remember - let me try them out on a the first line' and we did the 'do wappy' intro.  Normally I get little response to this bit of banter but on this night several sang back 'what do you wanna make those eyes...'  So we did the song and it went quite well.  The audience is a dance floor away from the band but I could definitely hear some sing-a-long!  We wigged up for the couple of Beatles songs and that went down well.  The Searchers medley with "Sugar and Spice" added at the front worked very well and w got a good round of applause for it.  We continued through the usual set and Chris called time as we were about to do "All Shook Up",  so we made that our last number.  Chris the drum is starting to get the 'whats wrong with me' type harmony on this now - he just needs to learn the words for the other verses!  The audience were tapping and singing along but,  oddly enough,  when I stopped for the 'all shook up' line they were missing - I need a fall back for that:  maybe repeat the cue 'I'm in love, I'm ---'?

A chap came up in the break and asked for a 'Wet Wet Wet' song - he was going to see them next week.  I could have busked "Love is All Around"  but the boys weren't too confident,  so I had to decline.  I was quite hot and downed a pint of water.  Then the requester fellow came back over and asked if we could do "Summer Holiday" - he was on hols next week!  Yes I said - we'll busk it but you'll have to sing - a - long!  I don't actually know it but felt confident I could busk it and I briefed the chaps to expect it in C.  We opened set 2 with it and the requestor's family came on to the dance floor and sang and danced lustily.  They probably didn't notice fluffed chords etc and it was a clear success! We carried on with "Apache" - no walk tonight the stage didn't really support it.  That went well and we followed up with "Do You Wanna Dance" and 'lo and behold' several came up for a dance - unexpected but appreciated! I skipped the Monkees to "Happy Together" and a few stayed on the dance floor.  Chris the drum started the vocal at the right place and it fared well up to the second verse where he was distracted by my pre-echo's (I do it like the record),  from then on we were all a bit distracted - I made a mental note that we need to run it thru a few times next practice.  I called for "Daydream Believer" and we got quite a bit of sing-a-long going,  just a warm up for "Delilah" really 'cos that was very popular as usual.  Still Chris and I are confusing the chords right at the end - it's hold the G out the chorus then B7 'just couldn't take ..'  Em  Am  Em  Am Em  B7/Em.  "Bad Moon Risin" came next and got some dancing going and then we carried on with some rock n roll to keep them going for a bit.  Chris the drum still doesn't seem to know the drum responses in "Jailhouse Rock" so that's another thing to sort out next practice.  As we finished that someone came up and asked for some sloweys.  I asked Chris to oblige with "Help Me Make it Thru Night" and that did the trick.  At least 4 couples came up for a dance.  I thought we'd better do some more,  so I called for "Green Grass of Home" and that went pretty well.  Then it was back to usual running order with "Proud Mary"  (there was someone called Mary in the room we could rib), "Don't Stop"  (I forgot some words and the stop - doh!) and "Hot Love" which went very well.  Chris had called time but I urged them on to finish with "Wonder of You" and it went down very well - a great set closer!  I was pleased with my vocal on this night but I was also pleased we were taking a break.

We only had about 20 minutes to play 'til 11pm when the club would play their unlock the treasure game.  I suggested we start with "Dance the Night Away" to give it an airing and after a promising start it was me that cocked the horn solo in the middle - I rather lost the way and we had to have several bars of E to B to get back in synch.  Mind you we had a couple of dancers up and they didn't miss a step!  Next we had a request for another slowey. We did a good job of "Wonderful Tonight" but the crowd enjoyed it so much they wanted another.  I called for "Raining in my Heart" which we had played together about 18 months ago.  Chris the bass couldn't remember any of it but said he would give it a go. I remembered it very well but I could hear Chris struggling on bass.  I was able to remind him to keep playing the G in the verse under the guitar chord changes and I think he saw enough of my chords to get most of the middle 8.  Surprisingly it went down well as well.  I could see the game organiser heading off to the gents so I called for one more number chaps - "Great Balls of Fire".  That went well and even had a few rock n roll dancers up and,  more importantly,   it was short enough not to delay the game.  I was preparing for a long spell off as they did the game,  but the first chap up won the £220 jackpot so that was it!  We went back on and opened with "Pretty Woman,  Saturday Night,  Sweet Caroline" sequence.  We were rewarded with lots of sing-a-long and some dancing - a good set up for "American Trilogy".  I took my time with this,  we did a good job and got a roof raising reception at the end.  I could sense that had taken a big chunk of my stamina out but we ploughed on with the "Hey Baby,  Hi Ho, All Right Now" sequence.  Then it was 'all the ladies sing' as I introduced Chris the bass again to sing on the chorus of "Mustang Sally".  My intention is for Chris to sing the verses when he's ready for it - but for me its not too demanding at present.  I couldn't spot a slowey in the list (Albatross came to me after the gig though - it would have been ideal!) so we did "Hippy Hippy Shake".  By then the hall had thinned out as we approached midnight,  so I calculated an extended "Johnny B Goode" would be enough.  We took our time over the outroductions but we could have been more together on that.  However, the remaining dancers whooped it up right to the end and that was that - gig over!  I was very tired at the end and had to have a couple of quiet minutes before getting changed.  I think it was the start of a 48 hour virus 'cos I felt rough the next day (didn't feel up to visiting me old mum even) and on Monday my sciatica got a lot worse.  Sufficient to make an appointment at the chiropractor - hope that fixes it.  We have a couple of weeks off now - but grandson is imminent,  no rest for the wicked.

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